"A great disorder is an order, and a violent order is disorder"

Wallace Stevens

Musings inspired by varied examples of orderliness,
drawn from a disorderly accumulation of images and artifacts...

Wednesday, March 10, 2010

Focus! Focus!

These images are from the July, 1925 issue of the long-defunct magazine “Science and Invention”, which was edited by Hugo Gernsback, who later became famous as a pioneer in the field of science fiction. He also invented this contraption which, to my mind, nicely illustrates the folly of taking an excessively narrow approach to solving a problem. The “Isolator” is designed to help focus the mind when reading or writing, not only by by eliminating all outside noise, but also by allowing just one line of text to be seen at a time through a horizontal slit. Obviously, doing away with all distractions in this way could be profoundly counterproductive: how would he know that his house was on fire -or, what if he dropped his pencil? Even if all goes well, reading or writing usually involves going back to re-read a paragraph or cross-check a reference. How would he do that? Remove the Isolation Chamber?

It’s about as rational and goofy as Grenville Kleiser’s book “Fifteen Thousand Useful Phrases” (see the previous post); in fact, I think The Isolator would provide ideal viewing conditions for perusing that particular text in the manner that Mr. Kleiser seems to have intended.

“Science and Invention” magazine covers can be seen here: http://www.magazineart.org/main.php/v/technical/scienceinvention/

Monday, February 22, 2010

Introductory Remarks

For an image to accompany this first post, I have selected a page from Grenville Kleiser’s book “Fifteen Thousand Useful Phrases”. Organized in accordance with a strictly 'rational' system, the pages of this deeply eccentric work often contain unintended narratives of a strange and haunting nature. I have chosen this page not only for the aptness of its phrases, but also because it exemplifies the combination of strict rationality and unintentional goofiness that appeals to me. For a long time, I have been fascinated by misguided projects of this sort, and I have accumulated quite a massive pile of such stuff. I'm particularly drawn to the products of mad systems and obsessive procedures, as well as to overly-idealized images. Now that I am embarking on my own (possibly misguided) enterprise, I will try to conduct it in a manner appropriate to my subject.